Lisa Bloom-Blog Lisa Bloom-Contact Lisa Bloom-Bio Lisa Bloom-Speaking Lisa Bloom-Articles Lisa Bloom-Books Lisa Bloom-Home Everyday ebay: Culture, Collecting, and Desire Writing Science Jews and Sex Jewish Identity and Art History Jewish Identity and Art History Performing the Body, Performing the Text The Visual Culture Reader The Feminism and Visual Culture Reader The Feminism and Visual Culture Reader Lisa Bloom-“Introduction”, to The Scholar & Feminist Online: Special Issue ‘Gender on Ice’, with L. Bloom and L. Kay. (7:1 Fall 2008). Far Field Article Far Field Far Field Climate Change Climate Change Connie Samaras' Connie Samaras' NMC Media-N NMC Media-N NKA Lisa Bloom Artic Spaces NKA Cover NKA Lisa Bloom Article KT Press n.paradoxa 25 Negotiating Feminism in Contemorary Asian Woman's Art Negotiating Feminisms in Contemporary Asian Women's Art “Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey’ (2001-2007)” in a special issue on “Material Histories, n.paradoxa, Volume 24, July 2009. Lisa Bloom“Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey’ (2001-2007)” in a special issue on “Material Histories, n.paradoxa, Volume 24, July 2009. Lisa Bloom-“Introduction”, to The Scholar & Feminist Online: Special Issue ‘Gender on Ice’, with L. Bloom and L. Kay. (7:1 Fall 2008). “Polar Fantasies and Aesthetics in the Work of Isaac Julien and Connie Samaras in The Scholar and the Feminist (7.1: Fall 2008). Lisa Bloom-“Introduction”, to The Scholar & Feminist Online: Special Issue ‘Gender on Ice’, with L. Bloom and L. Kay. (7:1 Fall 2008). “Introduction”, to The Scholar & Feminist Online: Special Issue ‘Gender on Ice’, with L. Bloom and L. Kay. (7:1 Fall 2008). Barbie's Jewish Roots Lisa Bloom-”Barbies’s Jewish Roots: Jewish Women’s Bodies and Feminist Art,“ in Nathan Abrams (ed.) Jews and Sex, London, (Nottingham: Five Leaves, 2008), 121-137. ”Barbies’s Jewish Roots: Jewish Women’s Bodies and Feminist Art,“ in Nathan Abrams (ed.) Jews and Sex, London, (Nottingham: Five Leaves, 2008), 121-137. Lisa Bloom-“True North: Isaac Julien’s Aesthetic Wager,” republished in German and English in Isaac Julien: True north : Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006. Catalog published in conjunction with the exhibition Isaac Julien--True north/Fantôme Afrique, held at Kestnergesellschaft, Hannover, Germany, June 23-Aug. 20, 2006. “True North: Isaac Julien’s Aesthetic Wager,” republished in German and English in Isaac Julien: True north : Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006. Catalog published in conjunction with the exhibition Isaac Julien--True north/Fantôme Afrique, held at Kestnergesellschaft, Hannover, Germany, June 23-Aug. 20, 2006. Lisa Bloom-“True North: Isaac Julien’s Aesthetic Wager,” republished in German and English in Isaac Julien: True north : Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006. Catalog published in conjunction with the exhibition Isaac Julien--True north/Fantôme Afrique, held at Kestnergesellschaft, Hannover, Germany, June 23-Aug. 20, 2006. Lisa Bloom-“The Contradictory Circulation of Fine Art and Antiques on eBay.” In Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley, (Routledge, New York, 2006). “The Contradictory Circulation of Fine Art and Antiques on eBay.” In Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley, (Routledge, New York, 2006). Lisa Bloom-“The Contradictory Circulation of Fine Art and Antiques on eBay.” In Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley, (Routledge, New York, 2006). Lisa Bloom-“Creating Transnational Women’s Art Communities in Asia,” in Amelia Jones, The Feminism and Visual Culture Reader (London: Routledge; 2003). “Creating Transnational Women’s Art Communities in Asia,” in Amelia Jones, The Feminism and Visual Culture Reader (London: Routledge; 2003). Lisa Bloom-“Gender, Race and Nation in Japanese Contemporary Art and Criticism.” The Visual Culture Reader, ed. Nicholas Mirzoeff. (London: Routledge, 2002). “Gender, Race and Nation in Japanese Contemporary Art and Criticism.” The Visual Culture Reader, ed. Nicholas Mirzoeff. (London: Routledge, 2002). n. paradoxa archive n. paradoxa archive n. paradoxa archive n. paradoxa archive “Gender, Nationalism, and Internationalism in Japanese Contemporary Art: Some Recent Writings and Work.” in n.paradoxa, vol. 5. (London, England, 2000), 35-43. Lisa Bloom-“Gender, Nationalism, and Internationalism in Japanese Contemporary Art: Some Recent Writings and Work.” in n.paradoxa, vol. 5. (London, England, 2000), 35-43. “Gender, Nationalism, and Internationalism in Japanese Contemporary Art: Some Recent Writings and Work.” in n.paradoxa, vol. 5. (London, England, 2000), 35-43. Lisa Bloom-“Gender, Nationalism, and Internationalism in Japanese Contemporary Art: Some Recent Writings and Work.” in n.paradoxa, vol. 5. (London, England, 2000), 35-43. Lisa Bloom-“Writing Your Own Script: Revisioning the 1970s and the 1980s Through the Work of Eleanor Antin,” in Eleanor Antin , eds. Howard N. Fox, Lisa E. Bloom, and Eleanor Antin. (New York and Los Angeles: Distributed Art Publishers in Conjunction with the Los Angeles County Museum, 1999), 159-189. “Writing Your Own Script: Revisioning the 1970s and the 1980s Through the Work of Eleanor Antin,” in Eleanor Antin , eds. Howard N. Fox, Lisa E. Bloom, and Eleanor Antin. (New York and Los Angeles: Distributed Art Publishers in Conjunction with the Los Angeles County Museum, 1999), 159-189. Lisa Bloom-“Writing Your Own Script: Revisioning the 1970s and the 1980s Through the Work of Eleanor Antin,” in Eleanor Antin , eds. Howard N. Fox, Lisa E. Bloom, and Eleanor Antin. (New York and Los Angeles: Distributed Art Publishers in Conjunction with the Los Angeles County Museum, 1999), 159-189. “Writing Your Own Script: Revisioning the 1970s and the 1980s Through the Work of Eleanor Antin,” in Eleanor Antin , eds. Howard N. Fox, Lisa E. Bloom, and Eleanor Antin. (New York and Los Angeles: Distributed Art Publishers in Conjunction with the Los Angeles County Museum, 1999), 159-189. Lisa Bloom-“Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin,” in Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson, (London: Routledge, 1999), 153-169. “Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin,” in Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson, (London: Routledge, 1999), 153-169. Lisa Bloom-“Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin,” in Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson, (London: Routledge, 1999), 153-169. “Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin,” in Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson, (London: Routledge, 1999), 153-169. Lisa Bloom-“Ethnic Notions and Feminist Strategies of the 1970s: The Work of Eleanor Antin and Judy Chicago,” in Jewish Identity and Art History, ed. Catherine Soussloff (Berkeley: University of California Press, 1999), 135-163. “Ethnic Notions and Feminist Strategies of the 1970s: The Work of Eleanor Antin and Judy Chicago,” in Jewish Identity and Art History, ed. Catherine Soussloff (Berkeley: University of California Press, 1999), 135-163. Lisa Bloom-“Ethnic Notions and Feminist Strategies of the 1970s: The Work of Eleanor Antin and Judy Chicago,” in Jewish Identity and Art History, ed. Catherine Soussloff (Berkeley: University of California Press, 1999), 135-163. “Ethnic Notions and Feminist Strategies of the 1970s: The Work of Eleanor Antin and Judy Chicago,” in Jewish Identity and Art History, ed. Catherine Soussloff (Berkeley: University of California Press, 1999), 135-163. “Gender, Jewish Identity and Representation: U.S. Photographer and Feminist Martha Rosler Reconsidered.” The Bulletin of the Graduate School of Josai International University, Tokyo, No. 2, March, 1998, 31-44. “Gender, Jewish Identity and Representation: U.S. Photographer and Feminist Martha Rosler Reconsidered.” The Bulletin of the Graduate School of Josai International University, Tokyo, No. 2, March, 1998, 31-44. Lisa Bloom-“Science and Writing: Two National Narratives of Failure,” in Writing Science, ed., Tim Lenoir. (Stanford: Stanford University Press, 1998), 328-350. “Science and Writing: Two National Narratives of Failure,” in Writing Science, ed., Tim Lenoir. (Stanford: Stanford University Press, 1998), 328-350. Lisa Bloom-“Science and Writing: Two National Narratives of Failure,” in Writing Science, ed., Tim Lenoir. (Stanford: Stanford University Press, 1998), 328-350. “Science and Writing: Two National Narratives of Failure,” in Writing Science, ed., Tim Lenoir. (Stanford: Stanford University Press, 1998), 328-350. “Gender, Popular Science, and National Geographic in the Age of Multiculturalism.” Guest Editor of ”Gender, Technology and Development.” “Introduction” to Review of Japanese Culture and Society, Tokyo, Volume IX, Fall, 1997, 36-47. “Gender, Popular Science, and National Geographic in the Age of Multiculturalism.” Guest Editor of ”Gender, Technology and Development.” “Introduction” to Review of Japanese Culture and Society, Tokyo, Volume IX, Fall, 1997, 36-47. “Constructing Whiteness: Popular Science and National Geographic in the Age of Multiculturalism,” Configurations, Vol. 2, no. 1, Winter 1994, 15-32. Muse “Constructing Whiteness: Popular Science and National Geographic in the Age of Multiculturalism,” Configurations, Vol. 2, no. 1, Winter 1994, 15-32. Muse
Lisa Bloom - Articles
Lisa Bloom’s essays and articles have appeared in The Scholar and the Feminist, n. paradoxa, Configurations; exhibition catalogs on Isaac Julien and Eleanor Antin, and anthologies, including The Feminism and Visual Culture Reader, The Visual Culture Reader, Performing the Body/Performing the Text, Jewish Identity and Art History, Jews and Sex, Writing Science, and Everyday eBay: Culture, Collecting, and Desire.
n paradoxa vol. 25
“Negotiating Feminisms in Contemporary Asian Women’s Art,” in The Feminism and Visual Culture Reader (Sight: Visual Culture) by Amelia Jones (Routledge, London), second edition, publication date 12/15/2009 but available for Pre-order.
“Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey’ (2001-2007)” in a special issue on “Material Histories, n.paradoxa, Volume 24, July 2009.
“Introduction”, to The Scholar & Feminist Online: Special Issue ‘Gender on Ice’, with L. Bloom and L. Kay. (7:1 Fall 2008).
”Barbies’s Jewish Roots: Jewish Women’s Bodies and Feminist Art,“ in Nathan Abrams (ed.) Jews and Sex, London, (Nottingham: Five Leaves, 2008), 121-137.
“True North: Isaac Julien’s Aesthetic Wager,” republished in German and English in Isaac Julien: True north : Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006. Catalog published in conjunction with the exhibition Isaac Julien--True north/Fantôme Afrique, held at Kestnergesellschaft, Hannover, Germany, June 23-Aug. 20, 2006.
“The Contradictory Circulation of Fine Art and Antiques on eBay.” In Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley, (Routledge, New York, 2006).
“Creating Transnational Women’s Art Communities in Asia,” in Amelia Jones, The Feminism and Visual Culture Reader (London: Routledge; 2003).
“Gender, Race and Nation in Japanese Contemporary Art and Criticism.” The Visual Culture Reader, ed. Nicholas Mirzoeff. (London: Routledge, 2002).
“Gender, Nationalism, and Internationalism in Japanese Contemporary Art: Some Recent Writings and Work.” in n.paradoxa, vol. 5. (London, England, 2000), 35-43.
“Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin,” in Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson, (London: Routledge, 1999), 153-169.
“Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin,” in Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson, (London: Routledge, 1999), 153-169.
“Ethnic Notions and Feminist Strategies of the 1970s: The Work of Eleanor Antin and Judy Chicago,” in Jewish Identity and Art History, ed. Catherine Soussloff (Berkeley: University of California Press, 1999), 135-163.
“Gender, Jewish Identity and Representation: U.S. Photographer and Feminist Martha Rosler Reconsidered.” The Bulletin of the Graduate School of Josai International University, Tokyo, No. 2, March, 1998, 31-44.
“Science and Writing: Two National Narratives of Failure,” in Writing Science, ed., Tim Lenoir. (Stanford: Stanford University Press, 1998), 328-350.
“Gender, Popular Science, and National Geographic in the Age of Multiculturalism.” Guest Editor of ”Gender, Technology and Development.” “Introduction” to Review of Japanese Culture and Society, Tokyo, Volume IX, Fall, 1997, 36-47.
“Constructing Whiteness: Popular Science and National Geographic in the Age of Multiculturalism,” Configurations, Vol. 2, no. 1, Winter 1994, 15-32.