Janet Wilson. Journal of Postcolonial Writing (Taylor and Francis), Volume 56, Issue 3, August 2020.
“About Things Loved: Blackness and Belonging.”
Exhibition Review of an exhibition at the Berkeley Art Museum. Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. September 2019.
“Forest Law: Exhibition Review of Ursula Biemann and Paulo Tavares, the Mary Porter Sesnon Art Gallery.”
“Archives of Knowledge and Endangered Objects in the Anthropocene: From Chernobyl to Polar Landscapes in the Work of Lina Selander and Amy Balkin.”
Eds., Susi K. Frank, Kjetil A. Jacobsen, Arctic Archives: Ice, Memory and Entropy. New York: Columbia University Press, 2019, 269-284.
“Martha Rosler and Hito Steyerl: War Games.”
Exhibition Review, Kunstmueum-Gegenwart, (Basel, Switzerland).” Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. September 4, 2018.
“Hauntological Environmental Art: The Photographic Frame and the Nuclear After-Life of Chernobyl in Lina Selander’s “Lenin’s Lamp.”
Eds., Lisa Cartwright and Elizabeth Wolfson. Journal of Visual Culture. Special issue titled “Affect at the Limits of Photography.” Fall, 2018.
“Antarctica: Feminist Art Practices and Disappearing Polar Landscapes.”
Eds., Klaus Dodds, Alan J. Hemmings and Peder Robers, Handbook on the Politics of the Antarctic. London, Edward Elgar Publishing Ltd., 2017: 175-190.
“Invisible Landscapes: Extreme Oil and the Arctic in Experimental Film and Activist Art Practices.”
Eds., Anna Stenport, Scott Mackenzie, and Lill-Ann Korber, Arctic Environmental Modernities:Arctic Exploration to the Era of the Anthropocene. London, Palgrave, 2017: 183-195.
“Environmental Art at the 56th Venice Biennale”
“Judit Hersko’s Polar Art: Anthropogenic Climate Change in Antarctic Oceanscapes.”
In UCLA’s Center for the Study of Women’s Newsletter, Spring 2015. Online at: https://escholarship.org/uc/item/7jx8m9gb