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Good news! Anne Hemkendreis wrote the first review of my new book “Climate Change and the New Polar Aesthetics” Duke University Press where she claims it “is truly a must-read.”
It was written in English by the art historian Anne Hemkendreis and published on “ArtHist,” a leading platform consulted by art historians in Germany to get information on news events and publications:
https://arthist.net/reviews/38059
Use coupon code E22BLOOM to save 30% when you order my book from dukeupress.edu.
Special offer: Use coupon code E22BLOOM to save 30% when you order from dukeupress.edu.
New Book’s Introduction is now available for free downloads
Contact Laura Sell for review copies at: lsell@dukeupress.edu
Presented an in person book talk in Stockholm, Sweden at Södertörn University on November 15, 2022
For those friends and colleagues in Stockholm Sweden, please consider attending my in-person book talk on November 15, 2022 at 15:00-16.30 at Södertörn University, Room LO215:
Info here
Presented in Person a Paper Titled “Reclaiming the Arctic through Feminist and Black Aesthetic Perspectives” in Bergen, Norway
Organized by MaryClaire Pappas, Tonje Haughland Sorenson, and Isabelle Gapp. “Reclaiming the Arctic through Feminist and Black Aesthetic Perspectives.” For the panel “Gender in the North.” Nordic Nature: Art, Ecology, Landscape. Bergen, Norway, June 17, 2022.
My Book Jewish Identities in American Feminist Art is 1 of 9 books celebrated by the Frick Collection in New York City for Jewish American History Month
“Originating as a series of oral interviews conducted between the author, Lisa E. Bloom, and living Jewish American feminist artists, this collection of six chapters plus black-and-white illustrations posits that, in a postwar culture of assimilation, unacknowledged Jewish ethnicity manifests as a specter. The project of unveiling the ‘ghosts of ethnicity’ opens the artworks discussed to further levels of interpretation. Among the artists whose works are examined are Judy Chicago, Deborah Kass, Rhonda Lieberman, and Martha Rosler. Also of note, the second chapter highlights the self-proclaimed “maintenance art” of undersung Orthodox artist Mierle Laderman Ukeles, known for her ongoing residency at the New York City Department of Sanitation.”