“Archives of Knowledge and Endangered Objects in the Anthropocene: From Chernobyl to Polar Landscapes in the Work of Lina Selander and Amy Balkin.”
Eds., Susi K. Frank, Kjetil A. Jacobsen, Arctic Archives: Ice, Memory and Entropy. New York: Columbia University Press, 2019, 269-284.
“Martha Rosler and Hito Steyerl: War Games.”
Exhibition Review, Kunstmueum-Gegenwart, (Basel, Switzerland).” Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. September 4, 2018.
“Hauntological Environmental Art: The Photographic Frame and the Nuclear After-Life of Chernobyl in Lina Selander’s “Lenin’s Lamp.”
Eds., Lisa Cartwright and Elizabeth Wolfson. Journal of Visual Culture. Special issue titled “Affect at the Limits of Photography.” Fall, 2018.
“Antarctica: Feminist Art Practices and Disappearing Polar Landscapes.”
Eds., Klaus Dodds, Alan J. Hemmings and Peder Robers, Handbook on the Politics of the Antarctic. London, Edward Elgar Publishing Ltd., 2017: 175-190.
“Invisible Landscapes: Extreme Oil and the Arctic in Experimental Film and Activist Art Practices.”
Eds., Anna Stenport, Scott Mackenzie, and Lill-Ann Korber, Arctic Environmental Modernities:Arctic Exploration to the Era of the Anthropocene. London, Palgrave, 2017: 183-195.
For the College Art Association’s Online Review Journal, May 2016.“Judit Hersko’s Polar Art: Anthropogenic Climate Change in Antarctic Oceanscapes.”
In UCLA’s Center for the Study of Women’s Newsletter, Spring 2015. Online at: https://escholarship.org/uc/item/7jx8m9gb
“When Ice is Just Ice: Gender and the Everyday in the Arctic Art of Katja Aglert.”
Published for the Winter Event – Antifreeze, published in Art and Theory, Stockholm, Sweden, 2014: 127-133.
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“Connie Samaras’ Futures in Extreme Environments: Toward a New Aesthetics of Daily Life and Survival.”
For the exhibition catalogue edited by Irene Tastsos, Connie Samaras: Tales of Tomorrow. DAP Press, 2013: 82-86.
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“Extreme Temperatures: The Work of Nathalie Talec.”
For the exhibition catalogue: Nathalie Talec: The One Who Sees Blindly, Yerba Buena Center, San Francisco, April, 2012.
“Disappearing Ice and Missing Data: Visual Culture of the Polar Regions and Global Warming.”
Written in collaboration with Elena Glasberg. In eds., Andrea Polli and Jane Marsching, Far Fields: Digital Culture, Climate Change, and the Poles, Intellect Press, 2012: 119-141.
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“Polar Fantasies and Aesthetics in the Work of Isaac Julien, True North and Fantôme Afrique.”
Catalogue for the Retrospective of Isaac Julien, Associação Cultural Videobrasil, Sao Paulo, Brazil, 2012: 92-129.