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Home » Art Reviews (Exhibition Catalogs) » Page 3

Category Archives: Art Reviews (Exhibition Catalogs)

“Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey (2001-2007).”

 

n.paradoxaSpecial issue on “Material Histories.” n.paradoxa: international feminist art journal, volume 24, July 2009: 13-2.

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“Ghosts of Ethnicity: Jewish Identities in American Feminist Art.”

Ghosts of Ethnicity articleIn Daniel Rosenberg, Practicing Jews: Art, Identity and Culture. University of Wisconsin, Madison, 2009).

Online here

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“Polar Fantasies and Aesthetics in the Work of Isaac Julien and Connie Samaras.”

S&F OnlineIn The Scholar and the Feminist (Barnard Center for Research on Women, New York City, Issue 7.1: Fall 2008).

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“Barbies’ Jewish Roots: Jewish Women’s Bodies and Feminist Art.”

Jews & Sex bookNathan Abrams (ed.) Jews and Sex, London, Nottingham: Five Leaves, 2008: 121-137.

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“The Contradictory Circulation of Fine Art and Antiques on eBay.”

Everyday eBay bookIn Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley. Routledge, New York, 2006: 231-244.

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“True North: Isaac Julien’s Aesthetic Wager.”

Isaac Julien's book, True North

Republished in German and English in Isaac Julien: True north: Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006: 42-45.

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“True North: Isaac Julien’s Aesthetic Wager.”

True North coverIn Isaac Julien: True North. Mak Center for Art and Architecture and the Museum of Contemporary Art, Miami, 2005: 7-15.

“Creating Transnational Women’s Art Communities in Asia.”

The Feminism and Visual Culture ReaderIn Amelia Jones, The Feminism and Visual Culture Reader. London: Routledge, 2003: 18-21

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“Gender, Race and Nation in Japanese Contemporary Art and Criticism.”

The Visual Culture ReaderThe Visual Culture Reader, ed. Nicholas Mirzoeff. London: Routledge, 2002: 215-226.

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“Reviewing 1970s and 1980s Feminist Art Practices in the 1990s: Three Major Exhibitions on Judy Chicago, Eleanor Antin and Martha Rosier.”

n.paradoxa, issue 14See my introductory remarks to the College Art Association panel that I chaired in February 2001 and presentations by panelists Alison Rowley, Lucy Sautter, Catherine Caesar, Ruth Wallen, and discussant Alex Alberro. In n.paradoxa: international feminist art journal, issue 14, February 2001.

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