In Amelia Jones, The Feminism and Visual Culture Reader. London: Routledge, 2003: 18-21
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Category Archives: Visual Culture, Photography, and Film
“Gender, Race and Nation in Japanese Contemporary Art and Criticism.”
The Visual Culture Reader, ed. Nicholas Mirzoeff. London: Routledge, 2002: 215-226.
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“Gender, Nationalism, and Internationalism in Japanese Contemporary Art: Some Recent Writings and Work.”
In n.paradoxa: international feminist art journal, vol. 5 (London, England, 2000): 35-43.
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“Rosie at Home: Life Magazine and the Remaking of the American Nation-State During World War II.”
“Rosie at Home: Life Magazine and the Remaking of the American Nation-State During World War II.” Rim: Pacific Rim Women's Studies Association Journal, vol. 1, no.7. March 1999: 32-46.
“Contests for Meaning in Body Politics and Feminist Art Discourses of the 1970s: The Work of Eleanor Antin.”
Performing the Body/Performing the Text, eds., Amelia Jones and Andrew Stephenson. London: Routledge, 1999: 153-169.
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“Writing Your Own Script: Revisioning the 1970s and the 1980s Through the Work of Eleanor Antin.”
In Eleanor Antin, Eds. Howard N. Fox, Lisa E. Bloom, and Eleanor Antin. (New York and Los Angeles: Distributed Art Publishers in Conjunction with the Los Angeles County Museum, 1999):159-189.
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“Ethnic Notions and Feminist Strategies of the 1970s: Some Work by Judy Chicago and Eleanor Antin.”
In Jewish Identity in Modern Art History, edited by Catherine Soussloff, University of California Press, 1999: 135-166.
“Gender, Race, and Nation in Japanese Contemporary Art Criticism.”
The Bulletin of the Graduate School of Josai International University. No. 4, March 2000, 87-99.
“Gender, Jewish Identity and Representation: U.S. Photographer and Feminist Martha Rosler Reconsidered.”
The Bulletin of the Graduate School of Josai International University Issue 2, March 1998: 31-43.
“Science and Writing: Two National Narratives of Failure.”
In Writing Science. Ed., Tim Lenoir. Stanford University Press, 1998: 328-350.
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